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Tuesday, April 7, 2009

The bodies of 46 Afghan illegal immigrants who suffocated to death in a container truck Saturday near Quetta, Pakistan, returned home Tuesday.

The Edhi Foundation placed the victim’s bodies into coffins to transport them back to Chaman. Funeral prayers were said before victims left Quetta hospital. “We are taking these dead bodies to Spin Boldak and later these will be flown to Kabul by helicopter. We are thankful to Pakistan government for every help,” said Afghan consul general Daud Mohsini.

Afghan officials received the bodies from The Edhi ambulances and Pakistan police escorts at the Pak-Afghan border Bab-e-Dosti (Friendship Gate). Security was high and traffic was backed up at the border crossing. The bodies were taken to Kandahar then to Kabul before they were laid to rest in their home towns.

Hamid Karzai, President of Afghanistan dispatched aircraft to Pakistan to bring home the 46 victims. Poor weather grounded the planes, and the bodies were driven back across the border.

Pakistan police found a locked truck packed with approximately 111 Afghan illegal immigrants around 20 kilometers (12 miles) south of Quetta on Saturday. The driver had fled the scene where 62 people were initially pronounced dead. Police said that from the strong smell emanating from the truck, the victims may have died days before they were discovered.

45 other people were found unconscious and taken directly to the hospital. At hospital two more migrants died. “The death toll is 46,” said Ghulam Dastagir, a police official.

Wazir Khan Nasir, a senior police official said, “We have been able to talk to some of the people, who were trapped in the container. They were all Afghans in the container and the container was going to Iran, When the condition of people inside the container deteriorated, the driver fled, leaving the container.”

Survivors have reported that a human smuggling racket locked 64 Kabul residents and 37 Spin Boldak residents in the truck container Friday afternoon. The truck’s air conditioning unit stopped working causing the locked passengers to cry out for help which was unheeded by the truck’s driver, and they fell unconscious. However, the loud ruckus caused by the trapped people inside did alert police and local residents to their plight.

The trip had cost each illegal immigrant US$4,000 to 8,000 for the trip. Gul Zameen, a survivor said, “We are all poor and wanted to find jobs in Quetta and Iran.”

The survivors have been charged under the Foreigners Act and some have been detained. Karzai has ordered an investigation and “demanded people avoid dangerous illegal migration and not be deceived by smugglers.” “We’ll go to Pakistan and talk to the survivors to find out what had exactly happened. The culprits will be brought to justice,” said Moheeddin Baluch head of the investigating delegation.

Pakistan’s Federal Investigation Agency (FIA) is also investigating. Five suspects believed to be involved in running the human smuggling racket have been arrested.

Wednesday, June 13, 2007

Wikinews will be attending The 2007 MuchMusic Video Awards this weekend, a popular annual event in Toronto, Ontario, Canada. True stars will be out to play, present, and else wise schmooze at the CHUM-City Building just above the city’s Entertainment District in the Queen Street West neighbourhood.

MuchMusic is the most popular music channel in Canada, and has been holding the event since 1990. Roughly 6000 fans line the streets surrounding Much headquarters each year, and 1200 more score “the wristband” and enjoy a free festival-style show in the parking lot, watching four outdoor performance areas spread out in the downtown location. New this year is a special roof-top stage, on the top of the building.

Last year’s show reached 3.5 million viewers in Canada and 100 million around the globe, with broadcasts in 65 countries.

Performing at the show will be Avril Lavigne, Fergie, Billy Talent, Hilary Duff, Alexisonfire, Maroon 5, Belly, The Used, and Finger Eleven.

On stage presenting will be Nickelback, Jay Manuel (Canada’s Next Top Model, America’s Next Top Model), Tara Reid (American Pie, this fall’s Land of Canaan), Joss Stone, Sum 41, Amber Tamblyn (Joan of Arcadia, Grudge 2), Hedley, Chris Bosh (Toronto Raptors), Sean Avery (New York Rangers), George, Sam Roberts, Emilie de Ravin (LOST), Marianas Trench, and Kardinal Offishall.

Photographer Robin Wong will be photographing the red carpet of the MMVAs for Wikinews and Wikipedia. He first helped the sites in April of this year, photographing Hilary Duff at MuchMusic. Wong’s extensive client list includes Fidelty Investments, Flare Magazine, Masterfile, First Light, Fashion Television, FCB Canada, Profit Magazine, Financial Post, and Publicis. His works have appeared in the 2004 and 2005 Applied Arts Awards Annual, the top publication for the creative industry.

Tuesday, June 28, 2005

In a 158 to 133 vote of the House of Commons held Tuesday night, Canadian MPs have approved the legalization of same-sex weddings in Canada. Assuming the Senate passes Bill C-38 and the Governor General gives royal assent, Canada will become the fourth country in the world to legalize same-sex weddings after the Netherlands, Belgium, and Spain. The bill presented to the House of Commons by the Liberal government of Prime Minister Paul Martin has passed mainly because of support by the left-wing New Democratic Party of Jack Layton and the support of the separatist Bloc Québécois, which enabled it to overcome the staunch opposition of the Conservative Party.

While this vote is historic, gay weddings had already been legalized by the Supreme Courts of most Canadian provinces. The C-38 bill now extends these rulings to the rest of Canada, namely to the provinces of Alberta, Prince Edward Island, and the territory of Nunavut and the Northwest Territories.

The adoption of this bill ends a longstanding political and judicial debate in Canada, with the House of Commons referring the issue to the Supreme Court of Canada last year, only to have it handed back to them by the judges. If the debate has just been closed in a political sense, gay rights continue to create tensions between Canadians, since support for gay weddings comes mainly from Quebec and Ontario and parts of British Columbia while the Maritimes and Prairie provinces are mostly against them.

Those tensions have also been felt in the House of Commons itself, when Conservative Party leader Stephen Harper said on Monday, anticipating that the C-38 bill would be adopted, that the vote would “lack in legitimacy” since the bill would pass because of an unnatural alliance between the federalist Liberals and the separatist Bloc Québécois. This partisan view of gay rights has been strongly condemned, especially by Bloc Québécois leader Gilles Duceppe who said that MPs from his party were democratically elected and as legitimate as any in parliament. Others called Harper a hypocrite, pouncing on the fact that he never raised any such objections allying with the Bloc in the previous month’s confidence votes. Prior to the vote, Joe Comuzzi announced his resignation from the Liberal cabinet because of his opposition to gay weddings and the fact that Liberal cabinet members were required to vote the party line in this case.

Monday, May 26, 2008

The Rosley Oxley9 Gallery in Sydney, Australia was raided by police over the weekend following complaints of child pornography. The complaints related to an exhibition of works by photographer Bill Henson, which included several photographs of naked pubescent children. Twenty-one of the forty photographs in the exhibition were seized during the raid, and police have announced that charges will be laid under the NSW Commonwealth and Crimes Act for “publishing an indecent article”. Digital versions have also been removed from the Gallery’s website.

Politicians on both sides of the fence spoke out against the exhibition. Prime Minister Kevin Rudd, speaking to the Nine Network, said he found the photos to be “absolutely revolting […] Whatever the artistic view of the merits of that sort of stuff – frankly I don’t think there are any – just allow kids to be kids.” His Opposition counterpart, Brendan Nelson, believes that the exhibition “violates the things for which we stand as Australians and indeed as parents”.

Art experts have supported Henson and defended his work, denying claims of child pornography and exploitation. According to Betty Churcher, a former director of the National Gallery of Australia, “[t]here is absolutely no suggestion of pornography in these photographs”. Sydney art dealer Denis Savill hung one of Henson’s works, featuring two nudes, in his gallery window beside an Arthur Boyd nude, to “give them something to grizzle about”.

According to Tony Oxley, husband of gallery owner Roslyn, the gallery’s answering machine has recorded several threats to burn the building down. The police action also calls into question the fate of similar works by Henson in other galleries in Australia and around the world.

Wednesday, December 17, 2008

Two more vessels have been hijacked in Somalia. Pirates have captured an Indonesian tugboat with a barge that was working for French oil firm Total and a Turkish container ship.

The Turkish vessel’s seizure was confirmed by a US Fifth Fleet spokesman. MV Bosphorus Prodigy is a 330 ft (100 m) container vessel flagged in Antigua and Barbuda. It is owned and operated by Isko Marine Company based in Istanbul.

The Fifth Fleet could not confirm the tugboat’s seizure, but an anonymous official with Total in Yemen could. He explained the boat and barge were headed to Malaysia from the Yemeni port of Mukalla. He said the crew consisted of both Indonesians and other nationalities, and that the vessels, which had been hired by a subcontractor, were not carrying any oil at the time.

The new hijackings came as the United Nations Office on Drugs and Crime asked for greater policing in the area by international bodies, and for the signing of agreements that allowed the arresting officer to take pirates back to the officer’s country for prosecution.

“Pirates cannot be keelhauled or forced to walk the plank, nor should they be dumped off the Somali coast,” said the office’s head Antonio Maria Costa. “They need to be brought to justice”.

Friday, October 13, 2006

A private security guard attached to Brad Pitt and Angelina Jolie pulled out his revolver to threaten a lensman in Pune, India. The Associated Press photographer was also roughed up by the guard, Sunil Singh, who works for Tops Securities. Defamer.com, a tabloid in Los Angeles, however, says that two guards were involved in the attack. The incident occurred at the Sindh Society area in the suburb of Aundh.

A spokesperson for Tops confirmed the incident, although he claimed the weapon had been pulled out in “self-defence”. The accosted person himself chose to remain anonymous and refused to comment on the issue. Freelance photographer Rishikesh Puranik, who witnessed the scene, said that the AP lensman had approached Angelina Jolie with a request for a photo-shoot while she was on the sets. Jolie and her partner Brad Pitt are in India to shoot for A Mighty Heart, a film based on Daniel Pearl, a journalist who was killed in 2002 while in Karachi, Pakistan.

Tuesday, January 28, 2014

Evansville, Indiana, United States — This past week marked the opening night of an Andy Warhol exhibit at the University of Southern Indiana. USI’s art gallery, like 189 other educational galleries and museums around the country, is a recipient of a major Warhol donor program, and this program is cultivating new interest in Warhol’s photographic legacy. Wikinews reporters attended the opening and spoke to donors, exhibit organizers and patrons.

The USI art gallery celebrated the Thursday opening with its display of Warhol’s Polaroids, gelatin silver prints and several colored screen prints. USI’s exhibit, which is located in Evansville, Indiana, is to run from January 23 through March 9.

The McCutchan Art Center/Pace Galleries at USI bases its exhibit around roughly 100 Polaroids selected from its collection. The Polaroids were all donated by the Andy Warhol Photographic Legacy Program, according to Kristen Wilkins, assistant professor of photography and curator of the exhibit. The Andy Warhol Foundation for the Visual Arts made two donations to USI Art Collections, in 2007 and a second recently.

Kathryn Waters, director of the gallery, expressed interest in further donations from the foundation in the future.

Since 2007 the Andy Warhol Photographic Legacy Program has seeded university art galleries throughout the United States with over 28,000 Andy Warhol photographs and other artifacts. The program takes a decentralized approach to Warhol’s photography collection and encourages university art galleries to regularly disseminate and educate audiences about Warhol’s artistic vision, especially in the area of photography.

Wikinews provides additional video, audio and photographs so our readers may learn more.

Wilkins observed that the 2007 starting date of the donation program, which is part of the Andy Warhol Foundation for the Visual Arts, coincided with the 20th anniversary of Andy Warhol’s death in 1987. USI was not alone in receiving a donation.

K.C. Maurer, chief financial officer and treasurer at the Andy Warhol Foundation, said 500 institutions received the initial invitation and currently 190 universities have accepted one or more donations. Institutional recipients, said Mauer, are required to exhibit their donated Warhol photographs every ten years as one stipulation.

While USI is holding its exhibit, there are also Warhol Polaroid exhibits at the Tang Teaching Museum and Art Gallery at Skidmore College in Saratoga Springs, New York and an Edward Steichen and Andy Warhol exhibit at the Mary & Leigh Block Museum of Art at Northwestern University in Evanston, Illinois. All have received Polaroids from the foundation.

University exhibits can reach out and attract large audiences. For example, the Weatherspoon Art Museum at the University of North Carolina at Greensboro saw attendance levels reach 11,000 visitors when it exhibited its Warhol collection in 2010, according to curator Elaine Gustafon. That exhibit was part of a collaboration combining the collections from Duke University, located in Durham, North Carolina, and University of North Carolina at Chapel Hill, which also were recipients of donated items from the Andy Warhol Photographic Legacy Program.

Each collection donated by the Andy Warhol Photographic Legacy Program holds Polaroids of well-known celebrities. The successful UNC Greensboro exhibit included Polaroids of author Truman Capote and singer-songwriter Carly Simon.

“I think America’s obsession with celebrity culture is as strong today as it was when Warhol was living”, said Gustafon. “People are still intrigued by how stars live, dress and socialize, since it is so different from most people’s every day lives.”

Wilkins explained Warhol’s obsession with celebrities began when he first collected head shots as a kid and continued as a passion throughout his life. “He’s hanging out with the celebrities, and has kind of become the same sort of celebrity he was interested in documenting earlier in his career”, Wilkins said.

The exhibit at USI includes Polaroids of actor Dennis Hopper; musician Nick Rhodes of Duran Duran; publishers Jann Wenner of Rolling Stone Magazine and Carlo De Benedetti of Italy’s la Repubblica; disco club owner Steve Rubell of Studio 54; photographers Nat Finkelstein, Christopher Makos and Felice Quinto; and athletes Vitas Gerulaitis (tennis) and Jack Nicklaus (golf).

Wikinews observed the USI exhibit identifies and features Polaroids of fashion designer Halston, a former resident of Evansville.

University collections across the United States also include Polaroids of “unknowns” who have not yet had their fifteen minutes of fame. Cynthia Thompson, curator and director of exhibits at the University of Arkansas, Fayetteville, said, “These images serve as documentation of people in his every day life and art — one which many of us enjoy a glimpse into.”

Warhol was close to important touchstones of the 1960s, including art, music, consumer culture, fashion, and celebrity worship, which were all buzzwords and images Wikinews observed at USI’s opening exhibit.

He was also an influential figure in the pop art movement. “Pop art was about what popular American culture really thought was important”, Kathryn Waters said. “That’s why he did the Campbell Soup cans or the Marilyn pictures, these iconic products of American culture whether they be in film, video or actually products we consumed. So even back in the sixties, he was very aware of this part of our culture. Which as we all know in 2014, has only increased probably a thousand fold.”

“I think everybody knows Andy Warhol’s name, even non-art people, that’s a name they might know because he was such a personality”, Water said.

Hilary Braysmith, USI associate professor of art history, said, “I think his photography is equally influential as his graphic works, his more famous pictures of Marilyn. In terms of the evolution of photography and experimentation, like painting on them or the celebrity fascination, I think he was really ground-breaking in that regard.”

The Polaroid format is not what made Warhol famous, however, he is in the company of other well-known photographers who used the camera, such as Ansel Adams, Chuck Close, Walker Evans, Robert Mapplethorpe, and Helmut Newton.

Wilkins said, “[Warhol] liked the way photo booths and the Polaroid’s front flash looked”. She explained how Warhol’s adoption of the Polaroid camera revealed his process. According to Wilkins, Warhol was able to reproduce the Polaroid photograph and create an enlargement of it, which he then could use to commit the image to the silk screen medium by applying paint or manipulating them further. One of the silk screens exhibited at USI this time was the Annie Oakley screen print called “Cowboys and Indians” from 1987.

Wilkins also said Warhol was both an artist and a businessperson. “As a way to commercialize his work, he would make a blue Marilyn and a pink Marilyn and a yellow Marilyn, and then you could pick your favorite color and buy that. It was a very practical salesman approach to his work. He was very prolific but very business minded about that.”

“He wanted to be rich and famous and he made lots of choices to go that way”, Wilkins said.

Kiara Perkins, a second year USI art major, admitted she was willing to skip class Thursday night to attend the opening exhibit but then circumstances allowed for her to attend the exhibit. Why did she so badly want to attend? “It’s Warhol. He is a legend.”

For Kevin Allton, a USI instructor in English, Warhol was also a legend. He said, “Andy Warhol was the center of the Zeitgeist for the 20th century and everything since. He is a post-modern diety.”

Allton said he had only seen the Silver Clouds installation before in film. The Silver Clouds installation were silver balloons blown up with helium, and those balloons filled one of the smaller rooms in the gallery. “I thought that in real life it was really kind of magical,” Allton said. “I smacked them around.”

Elements of the Zeitgeist were also playfully recreated on USI’s opening night. In her opening remarks for attendees, Waters pointed out those features to attendees, noting the touches of the Warhol Factory, or the studio where he worked, that were present around them. She pointed to the refreshment table with Campbell’s Soup served with “electric” Kool Aid and tables adorned with colorful gumball “pills”. The music in the background was from such bands as The Velvet Underground.

The big hit of the evening, Wikinews observed from the long line, was the Polaroid-room where attendees could wear a Warhol-like wig or don crazy glasses and have their own Polaroid taken. The Polaroids were ready in an instant and immediately displayed at the entry of the exhibit. Exhibit goers then became part of the very exhibit they had wanted to attend. In fact, many people Wikinews observed took out their mobiles as they left for the evening and used their own phone cameras to make one further record of the moment — a photo of a photo. Perhaps they had learned an important lesson from the Warhol exhibit that cultural events like these were ripe for use and reuse. We might even call these exit instant snap shots, the self selfie.

Saturday, December 19, 2009

United States defense officials acknowledged that Iraqi insurgents successfully intercepted live video feeds from U.S. MQ-1 Predator unmanned aerial vehicles with widely available software. The story broke on Thursday in the Wall Street Journal with a defense official, anonymously, informing them it is an old problem, which has already been fixed.

The Journal says U.S. military personnel in Iraq discovered the problem late last year when they seized a Shi’ite militant’s laptop containing drone video feeds.

Senior defense and intelligence officials say insurgents were able to take advantage of an unprotected communications link in the systems of the remotely-piloted aircraft. The insurgents used software that is available online and costs about $26.

While U.S. defense officials say the issue has been fixed, the Journal quoted senior intelligence officials as saying it was not yet clear if the problem had been completely resolved.

U.S. officials say there is no evidence that militants had been able to take control of the drones. But the intercepted video feeds could show where the planes are operating.

The Journal also reported that U.S. drone feeds have also been intercepted in Afghanistan.

Officials say the U.S. government has known about a flaw in the drone communication system since the NATO intervention in Bosnia in the 1990s. At the time, the military assumed local adversaries would not know how to exploit it.

The report says fighters in Iraq used software programs such as one called “SkyGrabber” from the Russian company SkySoftware, which is designed to intercept data transmitted by satellite Internet.

The Journal quoted one of the program’s developers, Andrew Solonikov, as saying it was designed to download legal content — such as music and video — and that it was never intended to intercept military data. Solonikov said in a email to the paper, “It was developed to intercept music, photos, video, programs and other content that other users download from the Internet — no military data or other commercial data, only free legal content.”